About this project
We're drawn to music, not only for the pure enjoyment of sound, but I think most of us feel it’s something far deeper. Music draws us into soul-searching, and can even bring us to a place of transformation and healing. And science now confirms that what our hearts have always felt is real: music has the ability to heal.
I am launching a project called "American Crow: A Narrative in Notes and Frames." My hope is that this piece, that will be recorded as sound and video, can bring healing. That it will uncover something within us that we’ve probably long taken for granted, something beautiful and deeply human – but as we are learning, that is also fragile and needs to be nurtured and cherished: the art of listening.
Jazz is the perfect illustrator. A true jazz improvisor thrives on listening: waiting, responding, considering, reconsidering, responding again, and maybe in ways that surprise even the improvisor. Jazz is at its best when everyone is vulnerable. Improvisation asks everyone to risk what they think they know, and offers them an opportunity to discover something new in themselves. Jazz shines a light on what we are allowing to slip in our brittle and fractured world, making this art form more relevant today than ever before.
"American Crow" begins with distressed Americana, but soon enough submerges and dissolves into retrospection, a place and time I remember from my Midwestern childhood, when people could listen to one another. Space existed. And generally, people would look for compromise and consensus. People who saw things differently could still speak respectfully – they could like one another, even love one another.
Mike Rodriguez on trumpet will begin his improvisation in a fashion of listening, never talking-over, as he encounters a pastoral theme in the ensemble and rhythm section. But in time, the intensity of language ramps up, the volume increases: spewing, sparring, impenetrable statements, a society at verbal war, screaming from their echo chambers. When the vitriol morphs into just a single churning dark din that feels impossible to untangle, Jeff Miles on guitar longingly recalls the pastoral theme. Mike's response respond to Jeff’s guitar over the dark din, as if to ask, "Do we want to find our way back?" and "Can we find our way back?"
Please join us on our mission to find our way back through notes and frames.
A huge thanks goes out to:
GOLD PARTICIPANT
Heidi Schneider & Joel Mintzer
SILVER PARTICIPANTS
Bill & Carol Bloemer
Joshua & Amy Boger
Marc-André Fredette
Paul & Kathy Kaleta
Eugene Malinowski
BRONZE PARTICIPANTS
Oliver Brüstle
Enzo Costa & Silvia Tabarelli
Debbie & Phil Edmundson
Gilles Fontan & Vanessa Smiech
Goodman Family
Mark Grossman & Lauren Janov
Murray Hardie
Willie Holohan
Denis Naranjo Jin
Marc Kaban
Van L. King
Romain Kohn & Andrea Holzem
Tom Kohn & Jann Nyffeler
(Bop Shop Records)
Weimin Li
Jeffrey Magee
Christopher Marks
Joe & Kim Morrison
Jim Nelson & Adrienne Gallagher
Thomas O’Malley
Tom Priesmeyer
Jos van Schagen
George Shutack
Starkey Steuernagle
Omar Thomas
Thompson Family of Willow Lake Farm
Bob & Kate Washut
Eric Wenocur & Kim Keller
The composition "American Crow" was originally commissioned by Emory University, where it was also premiered by the Maria Schneider Orchestra.
