Multi-Grammy Award winning composer Maria Schneider has been referred to as "one of America’s leading composers". Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heartstoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their first recording, 'Evanescence.' With that recording, Schneider began to develop her personal way of writing for her 17-member collective, tailoring her compositions to distinctly highlight the unique voices of the group. Subsequently, the Maria Schneider Orchestra has performed at festivals and concert halls worldwide. She herself has received numerous commissions and guest conducting invites, working with over 85 groups from over 30 countries spanning Europe, South America, Australia, Asia and North America.
“To call Schneider the most important woman in jazz is missing the point … She is a major composer–period.”
Nominated for the Pulitzer Prize for composing the orchestral work An American Concerto, he has won two GRAMMYs for his jazz arrangements, four Emmys for his television music, an Oscar nomination for film composition, and the Richard Kirk Award from BMI.
Williams has scored more than 200 films, including Breaking Away, which received a 1978 Oscar nomination; All of Me, Swing Shift, Cuba, Casey's Shadow, and The Grass Harp. For television, his music has graced such classics as Columbo, Lou Grant, The Mary Tyler Moore Show, The Streets of San Francisco, and The Days and Nights of Molly Dodd. In addition to his 4 Emmys, he has received 23 nominations.
Several of Williams' recordings are considered contemporary big-band standards, including Threshold, which won a 1974 GRAMMY; Too Hip for the Room, a GRAMMY nominee in 1983; Tenth Avenue, a double GRAMMY nominee in 1987; and Sinatraland, a tribute to the singer which was GRAMMY-nominated in 1998. Williams has received 16 GRAMMY nominations for his compositions and arrangements.
NEA Jazzmaster Jim Hall has influenced an entire generation of Jazz musicians and is considered by many to be the greatest living Jazz guitarist. From his early work with Jimmy Guiffre and Chico Hamilton to his now legendary collaborations with Sonny Rollins, Paul Desmond, Ron Carter and Art Farmer, Hall has become a major figure in the legacy of American music.
Grammy-Winning And Oscar-Nominated singer/songwriter Siedah Garrett is perhaps best known for co-writing Michael Jackson’s hit song “Man In The Mirror” and her legendary duet performances on Michael's "Bad" tour. Across her remarkable pop music career, Siedah has collaborated and worked with giants such as Quincy Jones, Michael Jackson, Madonna, Aretha Franklin, Ray Charles, Miles Davis, Al Jarreau, and Sergio Mendes. She has written songs that have been performed and/or recorded by Jennifer Hudson, Jamie Foxx, Sarah Vaughn, Sheena Easton, Patti Austin, Chaka Khan, Natalie Cole, Roberta Flack, Dionne Warwick, The Korrs, Barry White, Paula Abdul, will.i.am, Jordin Sparks, Vanessa Williams, Richard Elliot, The Freemasons, The Brand New Heavies, and Amy Grant, to name a few. She has supplied backup vocals for Donna Summer, Madonna, Wang Chung, The Commodores, Weather Report, Boz Scaggs, Santana, Johnny Mathis, and Jessica Simpson. Siedah's film soundtrack credits are quite extensive, including the Oscar-nominated "Love You, I Do" from Dreamgirls, and four songs in the 2011 blockbuster animate film Rio, for which she also achieved a second Oscar nomination with the Sergio Mendes collaboration, "Real In Rio". Her duet with ex-Temptations member Dennis Edwards, Don't Look Any Further, is a classic R&B smash. She has also appeared in numerous television, feature film, and voiceover roles, and performed globally for televised audiences in the millions.
Originally founded in 1977 and The Clayton Brothers continue to share a common musical vision.
John Clayton is a Grammy winning bassist/composer/arranger/conductor and has written and arranged music for Milt Jackson, Nancy Wilson, Ray Brown, Regina Carter, McCoy Tyner, Carmen McRae, Quincy Jones, Diana Krall, Kurt Elling, Dee Dee Bridgewater Gladys Knight, Natalie Cole, Michael Buble' and many others.
Jeff Clayton has recorded with Stevie Wonder, Gladys Knight, Kenny Rogers, Michael Jackson, Patti Labelle, Earth Wind & Fire, and solo'd on Madonna's recording "Back in Business". As a jazz musician, he has worked with Frank Sinatra, Sammy Davis Jr., Ella Fitzgerald, Woody Harmon, Lionel Hampton, Lena Horne, McCoy Toner, Dee Dee Bridgewater and many others.
Currently, the quintet consists of John's son, Gerald Clayton on piano (also Grammy© nominated for his 2009 CD “Two Shade”, for Best Instrumental Composition, “Battle Circle” from The Clayton Brothers’ “The New Song and Dance” CD and in 2011 for Best Jazz Instrumental Album for “Bond: The Paris Sessions”) .
We are pleased to welcome Emmy Award winning composer Alf Clausen to the ArtistShare family. As a composer for television and film, Clausen has penned the music for such classics as "The Simpsons", "Moonlighting," "ALF" (no relation), and "Half Baked". In addition to his television and film work he has composed music for the bands of Buddy Rich, Thad Jones & Mel Lewis, Ray Charles, Woody Herman, and Stan Kenton. Through his long and distinguished career, Clausen has garnered two Emmy awards, twenty seven Emmy nominations, four Annie awards, Grammy and CLIO nominations, and Honorary Doctorates from the Berklee College of Music and North Dakota State University. Now partnering with ArtistShare, Clausen is excited about sharing his musical activities worldwide with fans old and new.
Named as one the National Endowment for the Arts' 2006 Jazz Masters, Grammy® nominated composer/trombonist Bob Brookmeyer was best known for his writing, especially his arrangements for
big bands, which at their best captured the spirit of past masters like
Duke Ellington and Count Basie while remaining thoroughly contemporary.
His charts in the 1960s for Mulligan’s Concert Jazz Band and the Thad
Jones-Mel Lewis Jazz Orchestra helped invigorate the big-band genre at a
time when many critics considered it moribund. ArtistShare was fortunate enough to have recorded and released two monumental recordings by this Jazz master. Bob passed away on December 15, 2011 and will be greatly missed by us all.
An accomplished leader and seasoned sideman performing with the likes of legends Wayne Shorter, Steve Lacy, and Roy Haynes, Pianist Danilo Perez brings his unique Pan-American jazz to the ArtistShare community with his latest project.
His trio is hitting the road again and participants will receive access to downloadable and streaming live performances, interviews, tour journals, exclusive online lessons, and downloadable sheet music.
Born in Chicago on New Year’s Day 1971, Chris Potter took up the alto sax at the age of ten and played on his first jazz gig at the age of 13. His education took him to New York City’s New School and Manhattan School of Music. Graduating from Manhattan in 1993, Potter began a long series of sideman activities with top names like the Mingus Big Band, Paul Motion, Ray Brown, Jim Hall, James Moody, Dave Douglas, Mike Mainieri and many more. Although he’s performed extensively with the incredible bassist/composer Dave Holland’s various ensembles, Potter has been performing all over the world with his own groups since the release of Gratitude early 2001. Multi-reedman/composer Chris Potter is often cited by critics, musicians, and a steadily increasing number of fans as the finest saxophonist of his generation.
When Julian Lage emerged on the music scene 13 years ago, the young San Francisco Bay Area-based musician was not only deemed a guitar-playing prodigy, but he was also offered record deals on numerous occasions. Playing a unique style that melded blues, classical, folk and jazz influences, Lage decided to wait for the right moment to document his own music. He chooses instead to become a sideman with established instrumentalists like Gary Burton and to collaborate with contemporaries such as pianist Taylor Eigsti. Along the way, Lage received recognition from musical luminaries, including Herbie Hancock and Béla Fleck, and patiently waited until he was ready to go into a studio with a band of like-minded players to realize his own musical vision.
Billy Childs was born in Los Angeles on March 8th,1957 to Joseph and Mable Childs. At age six, he was enrolled in piano lessons by his parents, both fervent music lovers. The younger Childs developed rapidly, and at age sixteen entered the Community School of the Performing Arts, a preparatory music program sponsored by the University of Southern California. Although the initial focus of his energies had been piano performance, he was so inspired by the teachings of his theory professor, Marienne Uzsler, that he shifted his attention to composition.
"This is the end of the century, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a straight-ahead jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that sounds good. It doesn't sound like pastiche or shifting styles; it's people with a lot of knowledge."
Donny continues to make regular appearances with his band, often at New york City's 55 Bar club. Various sidemen on the gig include guitarists Ben Monder and Adam Rogers, drummers Antonio Sanchez, Gene Jackson, Clarence Penn, Dan Weiss, and Eric Mcpherson; bassists Ben Street, Hans Glawisnig and James Genus; and pianists Jon Cowherd and George Colligan. Donny will also be leading a band at the Islay Jazz Festival in Scotland this year.
Some of his performing credits include Pat Metheny, Gary Burton, Steps Ahead, Brian Blade, John Pattitucci, Billy Hart, Bebel Gilberto, Eddie Gomez, Alexander Sipiagin, New York Voices, Gil Evans Orchestra, Mingus Big Band, the Vanguard Jazz Orchestra. He's also loaned tenor work to solo recordings by fellow Lan Xang bandmates Scott Colley and Dave Binney.
Donny has also been playing with the great Brazilian duo Flora Purim and Airto Moreira, soul-jazz singer Monday Michuru and drummer George Schuller's "Circle Wide" with Ingrid Jensen.
“Brazilian music has this happiness, and although there’s a
sadness in the lyrics, the melodies are very beautiful. My
personality is optimistic, I would say, and the reason
Brazilian music is a big part of my repertoire is because
it gives me this sense of hope. I’m
doing Brazilian music but I want to do it my own way.”
In 2009, Yeahwon released her debut U.S. recording on ArtistShare. Inspired by the sounds of Brazilian music, the album features bassist Ben Street, drummer Jeff Ballard, pianist Kevin Hays, percussionists Cyro Baptista & Valtinho Anasatacio, accordionist Rob Curto and tenor saxophonist Mark Turner. In addition, the legendary composer and multi-instrumentalist Egberto Gismonti, one of Yeahwon's most cherished musical influences, makes a special guest appearance on his own composition, "Memoria e Fado". The album was nominated for a 2011 Latin Grammy Awards, in the Música Popula Brasileira (MPB) Category, alongside stellar nominees including Caetano Veloso, Milton Nascimento, and Djavan.
“She has a very interesting style and personality which enables her to be interpreting these Brazilian standards with soft and original tones... Her voice is delicious and perfectly in tune.” -- Legendary producer, André Midani
In 2005, Ron Carter, the world’s most respected jazz bassist, tapped me to write his biography.
Join me as I embark on telling Ron’s remarkable story that pivots on an early experience in the '50s when as an aspiring classical cellist/bassist, his dream was crushed when renowned conductor Leopold Stokowski told him that symphony “audiences are not ready for black players.” Rather than dwell in defeat, Ron chose to focus on jazz bass and went on to become the innovator who Miles Davis dubbed as the “anchor” of his classic ‘60s quintet. Today, Ron reigns as the most recorded bassist in popular music history—as well as one of jazz's most esteemed artists.
Rather than approach this NEA Jazz Master’s story in a conventional publishing manner, I’ve opted to pursue the biography in an unprecedented manner through ArtistShare. My project will present an intimate portrait of Ron’s never-before-told story via online audio, video, photo galleries and blogs as well as in a printed book to be published later this year.
Praise for Geoffrey's artistry comes from all sides. Time magazine wrote that Geoffrey possesses "a refreshingly open-eared sensibility in the modern manner, and he has more than enough virtuosity and sheer musical wit and intelligence to weave all of his apparently disparate strands of influence into an original and compelling whole." His peers speak glowingly about his artistry as well. Hawaiian guitarist, Keola Beamer reflects "Geoffrey has a beautiful, spatial style that I immediately fell in love with the first time we played together in San Francisco." His fans also echo their admiration for his artistry. Surf to any online CD shop and read the glowing reviews of his releases submitted by purchasers worldwide.Geoffrey's newest release, Wildcrafted, captures the fire and raw energy of Geoffrey’s trio, live in concert at the Dakota Jazz Club in Minneapolis. Geoffreys’ unlimited potential as a composer, arranger, and musician are all on showcase. Wildcrafted features five fresh original pieces, nestled in with finely polished and newly arranged Jazz chestnuts, a celestial Okinawan work of art, and even a new arrangement of a composition by pop singer, Björk. Geoffrey Keezer continues to be in high demand, as an artist: performing, composing and arranging. He works worldwide doing commissioned works, recording projects, performances and cross cultural collaborations.
From her early days playing in the subways of New York, to establishing herself as a leader and soloist in a wide array of musical genres, trumpeter Ingrid Jensen has garnered rave reviews and a strong reputation among critics and peers as an adventurous, loving, and always remarkable musical spirit. Now, only on ArtistShare, participants can join Ingrid on her newest project “Inside Passages,” and experience the creation of new compositions – from start to finish – through compositional sketches, interviews, audio lecture/demonstrations, rehearsal recordings, and journals.
Jazz trumpeter and composer Alex Sipiagin hails from Yaroslavl, Russia and got his advanced musical training at the Gnessin Music Institute and Conservatory. After competing at the 1990 Thelonius Monk Trumpet Competition, where he placed 4th amongst players such as Nicolas Payton, Ryan Kaiser and Scott Wendholt, Sipiagin moved to New York in 1991. His talent was quickly recognized by others, and Sipiagin soon began playing in various groups such as the Gil Evans Orchestra and the Zebra Coast Band headed by award winning composer/arranger Gil Goldstein. He became a regular member in groups such as the George Gruntz Concert Jazz Band, Mingus Big Band (and later Mingus Dynasty and Mingus Orchestra), Dave Holland Big Band (and various small groups), Michael Brecker's Quindectet, the latter two winning Grammy's in 2003, 2004 and 2006. He has also performed with Eric Clapton, Dr. John, Aaron Neville and Elvis Costello, with recent recordings with Michael Franks and Dave Sanborn. Sipiagin regularly tours worldwide both as a soloist and sideman for various groups.
Raised in Delaware, Kate was schooled in Boston, both at Harvard’s English department, where she studied the influence of jazz on modern poetry, and at Berklee, where she studied jazz guitar. Now living in Toronto, she is carving out a niche as a writer and performer of new jazz standards. Her persuasive arrangements and melodies show a deep involvement with the history of jazz.
Kate plays a Novax 8-string, the instrument made famous by Charlie Hunter. And she is at home, with her high and dry voice, singing jazz tainted both with a bit of the blues and with pop gestures and attitudes. Her new artistShare project, No Love Lost, is currently topping the jazz charts in Canada.
Born in 1963 in Los Angeles, California, Scott Colley began studying bass at age 11. In 1984 he was granted a full scholarship to the California Institute for the Arts, where he focused on composition and jazz studies while also studying privately with Charlie Haden and classical bassist Fred Tinsley, of the Los Angeles Philharmonic. After graduation, he began touring and recording with Carmen McRae, and has worked since then with numerous jazz luminaries. For the past 3 years, Colley has toured extensively as a member of Herbie Hancock’s working trio.
Bassist Lindsey Horner is one of the more versatile musicians in jazz and modern music. He has most often been heard with musicians on the cutting edge recording and performing with artists such as Greg Osby, Bill Frisell, Bobby Previte, Dave Douglas and Muhal Richard Abrams, to name but a few.
As a leader, he has nearly completed a recording project (via ArtistShare) called Undiscovered Country. He has also produced four previous recordings: Never No More, Mercy Angel, Believers and Don't Count On Glory.
"Jon is one of the greatest alto players ever"-Phil Woods
A native New Yorker, saxophonist and composer Jon Gordon was born into a musical family and began playing at age ten.
In November of 1996, Jon won the Thelonious Monk International Jazz Saxophone Competition. Judges for this important event were Wayne Shorter, Jackie McLean, Joe Lovano, Jimmy Heath and Joshua Redman.
Recent N.Y. appearances include stints at the Blue Note, Birdland, , Iridum, Smalls, the Jazz Standard, Jazz in July at the 92nd Street Y, the JVC Jazz Festival, the Village Vanguard, Fat Cat, And The Charlie Parker Festival.
Pianist/Composer Kevin Hays has performed and recorded with some of the most prominent and influential musicians in Jazz. These include Sonny Rollins, John Scofield, Benny Golson, Roy Haynes, Joshua Redman, Freddie Hubbard, Al Foster, Joe Henderson, Buster Williams, Chris Potter and Art Farmer. Hays has recorded 8 CDs as a leader and is featured on dozens of recordings as a sideman.
"He's all-encompassing; phenomenally so!"
-John Scofield/Universal Recording Artist
A five-time Emmy winner for his work on NBC's Olympics and CBS's Tour de France, Paul Devlin's films include Power Trip, which screened in 60 countries, theatrically across the United States and on PBS's Independent Lens, was nominated for an Independent Spirit Award and has won 10 film festival awards, including top prizes at Berlin, Hot Docs in Toronto, and Florida.
Paul also made the award-winning film SlamNation, which follows the fierce competition at the National Poetry Slam and helped popularize the dynamic genre with its release in theaters and on HBO/Cinemax and Encore/Starz. Paul's current projects include BLAST (via ArtistShare) and Broken Premises.
Torben Waldorff, born in Denmark, is based in the Oresund region of Malmo, Sweden and Copenhagen, Denmark.
Technically proficient and musically intuitive in his guitar brilliance, Torben Waldorff possesses an imagination formed by numerous influences - and one that shapes a variety of moods. As a guitarist he employs the full range of his instrument, concentrating on lyric delivery with passion. He is an economically refined player who understands how to play virtuoso with colors, dynamics and the dramaturgy of a director. His exchanges with Donny McCaslin constitute beautiful duels with intuitive interplay, elegance and excitement.
The group’s music is composed predominantly by Torben with traditional, avant-garde and free jazz elements along with reminders of the eased song structures of Eric Clapton. Their musical empathy and cohesion was heralded by Jazz Improv Magazine: “Each performance is completely in the moment as they respond to each others ideas.”
Together they form a trans-Atlantic jazz that brings together New Yorkean brilliance and natural play with the sensibilities of Scandinavia: matured timeless aesthetics, a deep sense of intelligent and skillful spacing and perspective, which the Danes are also known for in architecture, design, and form. Torben Waldorff is building bridges between America and Scandinavia.
Soprano saxophonist/composer Jane Ira Bloom has been steadfastly developing her unique voice on the soprano saxophone for over 25 years. A pioneer in the use of live electronics and movement in jazz, as well as the possessor of "one of the most gorgeous tones and hauntingly lyrical ballad conceptions of any soprano saxophonist
Experience the Gotham Wind Symphony’s creative journey as they take the familiar wind ensemble format and bring it to a new level. With candid commentary from New York City based composers and ensemble members, witness the evolution of original compositions and performances as everyone unites to produce the new symphonic sounds. Through streaming media, downloads, galleries and various writings you will have exclusive access to interviews, rehearsals, performances, compositional sketches and more – all helping you take your personal creative ride. Along the way, you will get to know individual Gotham Wind Symphony members through their own personal writings, galleries and audio shows where they will share their own perspective as individual parts of this creative whole.
Debuting in 1991 in Japan as a singer-songwriter, Monday Michiru boasts a rich collective of styles to create a sound that is uniquely her own. Raised in both Japan and the U.S. by jazz musician parents, she studied classical flute growing up and dabbled in modeling and acting, the latter awarding her Best New Actress in Japan for her debut film. "But music has always been my main focus," she explains. Monday helped to pioneer the acid jazz and club movement in Japan in the '90s earning her fans worldwide, and now holds a firm place that is near cult status. Her discography is over 15 solo albums plus, with collaborations spanning the gamut -- with trumpeter and her husband, Alex Sipiagin, Masters At Work, Jazztronik, Kyoto Jazz Massive, Basement Jaxx, Mondo Grosso, DJ Krush, Jephte Guillaume, Joe Claussell, Lisa Ono, and many others.
With music degrees from Ithaca College and The Eastman School of Music, Tom Davis has been an educator for 22 years at the high school level. Tom currently has over 60 jazz and concert band compositions published with Educational Programs Publications (EPP), Heritage Jazz Works (a division of Lorenz), Kendor Music, and Warner Brothers Publications, and has been commissioned by schools to write original compositions for their programs.
"When Pete Malinverni plays, the people listen", observed the New York Daily News. Jim Macnie of the Village Voice was recently moved to call Malinverni, “audacious and exquisite”. Since coming to New York in 1981 Pete has established himself as a highly respected presence in local and national club and concert performances, as well as abroad in Europe, South America, and Japan. Mr. Malinverni is a composer, too. In a four-star review in All About Jazz, Rick Anderson noted, “the jazz world is full of pianists and composers with formidable chops, but it's rare to find musicians as accomplished as Pete Malinverni who write with his level of insightful straightforwardness or play with his kind of elegant approachability.”
Born in San Cristóbal, Venezuela, Leonardo Granados began his music
studies at the Pedro Antonio Ríos Reina School of Music, founded by his father.
Belonging to a distinguished musical family, Leonardo is well known as a Tango
singer as well as a virtuoso on the Venezuelan maracas. He has accompanied and
shared the stage with artist such as Simón Diaz, Paquito D'Rivera, Edward
Simon, Raul Jaurena, Tito Castro, Katie Viqueira, Pablo Zinger, Marco Granados,
Check out Leonardo's ArtistShare project here!
Manhattan-born and raised Rachel Nicolazzo (aka Rachel Z) had music practically ingrained in her genetic code. Groomed to follow in her mother's operatic footsteps, she began voice lessons at two, started classical piano lessons at seven and attended the opera by age nine. "My first dollhouse was a Metropolitan Opera House complete with the stage and dolls which were the performers," she recalls. "Then I heard Miles Smiles when I was 15, started rebelling against the classical by improvising, and played with a band that covered Joni Mitchell and Steely Dan songs."
Ed Neumeister, A hard working artist, who continually strives for artistic excellence, has been persistently developing his skills and artistic vision the past 30+ years.
The creative flame is burning...
Neumeister received the 2006 ASCAP/IAJE commission in honor of Ornette Coleman. Ed’s busy composing for his 17 piece NeuHat Ensemble premiere January 12 at the IAJE conference in NYC.
Ed's production company, MeisteroMusic Productions won a prestigious Grant from Aaron Copland Fund for Music toward the production of his next Quartet CD "Reflection".
A native of the Pacific Northwest Dave Peck is recognized as an outstanding composer, arranger and pianist. He is known for his introspective style and rich harmonic coloring. A sought after sideman he has appeared with many great musicians. Most notable is his collaboration with legendary saxophonist Bud Shank. Their work together led to the CD, Tales of the Pilot, Bud Shank plays the music of David Peck, released on Capri Records.
Experience Nora York, "The avant-garde diva. Ingenious,radical, extravagant talent (The New Yorker)". What do you get when listening to Nora York? "A whole lot of wonderful... bold, brave sound sculptures. As gifted an emotional puppeteer as she is a poet (JazzTimes)". "America's psycho social landscape serves as York's subject matter... inventive and accessible... she examines the voracious desires that that fuel the American psyche. ...gripping... stunning... impressive... impassioned tunes (Jazziz)".
As a sideman, Jackson has performed and recorded and toured several continents with some of the most important names in cutting edge jazz. For the past several years, Jackson has also participated in the development of a Broadway-bound stage musical involving blues great Taj Mahal, Grateful Dead member Bob Weir, and director Avery Brooks on the life of Negro baseball league pitcher Satchel Paige. Jackson has also traveled to Senegal, West Africa, where he participated in Mor Thiam's debut CD for Justin Time Records “Back to Africa” featuring some of the greatest names in Senegalese pop music and drumming.
Dr. Keith Javors shares the rare distinction of personifying excellence not only as a creative artist but also a renowned teacher. Based in the greater Philadelphia area since 2005, he is a member of the jazz, rap, and R and B-based American Music Project and has recorded or performed with artists including George Coleman, Bunky Green, Eddie Henderson, Gerry Mulligan, Chris Potter, Terell Stafford, Brad Turner, Bill Watrous, and Steve Wilson. Groups under Keith’s direction have performed at clubs and festivals around the world and are frequently praised for their creativity and musicality.
TIM ARMACOST has led a life of constant motion. He has gathered knowledge and experience around the globe, which forms the foundation of his passionate brand of jazz. Since he landed in New York in 1993, Armacost has quickly developed a powerful presence on the scene. Armacost's debut CD, Fire, on Concord Records, and his follow up Live at Smalls on Double Time Records, marked his emergence as a leader with a clear voice in the resurgent jazz of the 1990's. His current release, The Wishing Well, displays the breadth of his current working unit, featuring Bruce Barth, Ray Drummond, and Billy Hart.